Physics and the Violin
Abstract
While the violin has been around for several hundreds of years, our understanding of how it works is still evolving. The character of violin sound is controlled by its frequency content, i.e., the harmonic content (or in musical terminology - the overtones). Both the player and the way in which the violin was made affect this frequency content. Both of these aspects will be examined. Research into how whole body vibrational modes can be manipulated by the violin maker during fabrication will be discussed. Examples of resulting violin sound will be demonstrated.
- Authors:
- SCIPP, UCSC
- Publication Date:
- Research Org.:
- Fermi National Accelerator Lab. (FNAL), Batavia, IL (United States)
- Sponsoring Org.:
- USDOE Office of Science (SC)
- OSTI Identifier:
- 1016746
- DOE Contract Number:
- AC02-07CH11359
- Resource Type:
- Multimedia
- Resource Relation:
- Conference: Fermilab Colloquia, Fermi National Accelerator Laboratory (FNAL), Batvia, Illinois (United States), presented on May 23, 2007; Related Information: This video is no longer available on the Fermi Colloquia website. The link in this record goes to the audio-file-only in the ScienceCinema.
- Country of Publication:
- United States
- Language:
- English
- Subject:
- 99 GENERAL AND MISCELLANEOUS//MATHEMATICS, COMPUTING, AND INFORMATION SCIENCE; FABRICATION; HARMONICS; PHYSICS; SOUND WAVES; VIOLIN; HARMONIC CONTENT; OVERTONES; FREQUENCY; VIBRATIONAL MODES
Citation Formats
Atwood, Bill. Physics and the Violin. United States: N. p., 2007.
Web.
Atwood, Bill. Physics and the Violin. United States.
Atwood, Bill. Wed .
"Physics and the Violin". United States. https://www.osti.gov/servlets/purl/1016746.
@article{osti_1016746,
title = {Physics and the Violin},
author = {Atwood, Bill},
abstractNote = {While the violin has been around for several hundreds of years, our understanding of how it works is still evolving. The character of violin sound is controlled by its frequency content, i.e., the harmonic content (or in musical terminology - the overtones). Both the player and the way in which the violin was made affect this frequency content. Both of these aspects will be examined. Research into how whole body vibrational modes can be manipulated by the violin maker during fabrication will be discussed. Examples of resulting violin sound will be demonstrated.},
doi = {},
journal = {},
number = ,
volume = ,
place = {United States},
year = {Wed May 23 00:00:00 EDT 2007},
month = {Wed May 23 00:00:00 EDT 2007}
}