- Multi-Agent Simulation for Generating Expressive Music Performance
- Breeding Rhythms with Artificial Life Joao M. Martins and Eduardo R. Miranda
- Evolving Expressive Music Performance through Interaction of Artificial Agent Performers
- GOLDSMITHS Research Online Article (refereed)
- Enhancing Sound Design with Conceptual Blending of Sound Descriptors
- A Model of Musical Motifs Torsten Anders
- Composition for Ubiquitous Responsive Sound Environments Dan Livingstone and Eduardo Miranda
- SPECTRAL SYNTHESIS AND CONTROL WITH CELLULAR AUTOMATA
- www.eet.com Electronic Engineering Times January 6, 2003 43 By R. Colin Johnson
- Sonic Arts Research Centre Queens University Belfast, Northern Ireland
- Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience
- GOLDSMITHS Research Online Article (refereed)
- The Fragmented Orchestra Daniel Jones
- Cellular automata sound synthesis: From histograms to spectrograms
- CeReNeM Journal: Issue Two, Part One Part One: Huddersfield Autumn
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- GOLDSMITHS Research Online Article (refereed)
- Hochschule fur Musik Franz Liszt Weimar Studio fur elektroakustische Musik (SeaM)
- A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG'S GUIDELINES FOR
- CeReNeM Journal: Issue Two Specialist training in new music
- AN INSTANCE BASED MODEL FOR GENERATING EXPRESSIVE PERFORMANCE DURING COMPOSITION
- Journal: Matthew Sergeant
- COMPER: TOWARDS A MODEL FOR GENERATING COMPOSITIONS FROM EXPRESSIVE MUSIC PERFORMANCES
- Digital Creativity 2003, Vol. 14, No.1, pp. 2942
- Peninsula Arts Contemporary Music Festival 2008
- GOLDSMITHS Research Online Article (refereed)
- A wizard's aid: efficient music constraint programming with Oz
- ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Hanns Holger Rutz
- GOLDSMITHS Research Online Article (refereed)
- Frontispiece. (a) The first 0.2 seconds of the synthesized open vowel sound. (b) The excitation pressure at the bottom region of the trachea section of the model. (c) The behavior of the vocal folds of the model
- DIGITAL SOUND SYNTHESIS FOR MULTIMEDIA INTRODUCTION
- Journal: Jennie Gottschalk
- GOLDSMITHS Research Online Article (refereed)
- Grundkonzepte verschiedener Programmiersprachen: ein Uberblick
- Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks
- Copyright Freund Publishing House Limited Int J Dis Human Dev 2006;5(2):00-00 Brain-Computer music interface for composition and performance
- A molecular collision model of musical interaction
- Transformation and mapping of L-Systems data in the composition of a large-scale instrumental work
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- GRANULAR SYNTHESIS OF SOUNDS THROUGH MARKOV CHAINS WITH FUZZY CONTROL
- A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents
- Professor E R Miranda -Publications as of 07 June 2010 The list is organized tentatively by areas of research.
- Institute of Musical Research, School of Advanced Study, University of London, Senate House, Malet Street, London WC1E 7HU Tel: 020 7664 4865
- Focus On.... Organic Farming and
- CeReNeM Journal: Issue Two, Part One Carolina Noguera Palau
- Behavioral/Systems/Cognitive Cortical Mechanisms for the Segregation and Representation
- Darwin's Barnacle Darwin's Barnacle is an intimate piece of music theatre. It portrays Darwin's
- Computational Musicology: An Artificial Life Eduardo Coutinho, Marcelo Gimenes, Jo~ao M. Martins and Eduardo R. Miranda
- A framework for comparison of process in algorithmic music systems
- Journal: Robert Dahm and Ben Isaacs
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- Emergent Rhythmic Phrases in an A-Life Environment
- Music Neurotechnology for Sound Synthesis Eduardo R. Miranda and John Matthias
- PLEASE SCROLL DOWN FOR ARTICLE This article was downloaded by: [University of Plymouth Library]
- AHRC ICT Methods Network Workshop De Montfort Univ./Leicester 12 June 2007 New Protocols in Electroacoustic Music Analysis
- FENS Forum 2008 For posters, morning sessions: 9:30-13:30; afternoon sessions 13:30-17:30.
- Algorithmic Sound Composition using Coupled Cellular Automata
- Sociedade de Engenharia de Audio Artigo de Convenc~ao
- Journal: Chikako Morishita
- Evolution of Musical Lexicons by Singing Robots Eduardo R. Miranda Etienne Drouet
- GOLDSMITHS Research Online Article (refereed)
- On the Music of Emergent Behavior: What Can Evolutionary Computation
- Representacin del Conocimiento para la Composicin Musical
- EVOLVING ADAPTIVE SENSORS IN A SYNTHETIC LISTENER
- A new model of sensorimotor coupling in the development of speech Gert Westermanna,* and Eduardo Reck Mirandab
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- GOLDSMITHS Research Online Article (refereed)
- ICDVRAT with ArtAbilitation, Maia, Portugal, 2008 2008 ICDVRAT/University of Reading, UK; ISBN 07 049 15 00 6
- TACTILE COMPOSITION SYSTEMS FOR COLLABORATIVE FREE SOUND
- Motivation The Motif Model Conclusion A Model of Musical Motifs
- GENERATING TARGETED RHYTHMIC EXERCISES FOR MUSIC STUDENTS WITH CONSTRAINT SATISFACTION PROGRAMMING
- ORB3 MUSICAL ROBOTS WITHIN AN ADAPTIVE SOCIAL COMPOSITION SYSTEM
- Constraint Application with Higher-Order Programming for Modeling Music Theories
- A Model of Musical Motifs Torsten Anders
- PLEASE SCROLL DOWN FOR ARTICLE This article was downloaded by: [University of Plymouth Library]
- Audio Engineering Society Convention Paper
- EQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAINS: A CASE STUDY OF
- Artificial Evolution of Expressive Performance
- GOLDSMITHS Research Online Article (refereed)
- CeReNeM Journal: Issue Two, Part One Jac McKeigue
- Neurobiology has given inspiration to com-puter music technology since the invention of the perceptron
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- Journal: Domaine Forget Summer Academy
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- ENTERFACE'06, JULY 17T H -AUGUST 11T H
- STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING
- Abstract --Brain-Computer Music Interface (BCMI) is a new research area that is emerging at the cross roads of neurobiology,
- Interfacing Manual and Machine Composition
- Musicianship for Robots with Style Marcelo Gimenes
- Orb3 Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces
- performances, lectures, demonstra-tions, and workshops exploring con-
- Interdisciplinary Centre for Computer Music Research
- Brain Computer Music Interfacing Demo Interdisciplinary Centre for Computer Music Research (ICCMR)
- 154 Int. J. Arts and Technology, Vol. 3, Nos. 2/3, 2010 Copyright 2010 Inderscience Enterprises Ltd.
- There is a growing number of researchers world-wide working in the field of Brain-Computer Interfacing
- ON GENERATING EEG FOR CONTROLLING MUSICAL SYSTEMS E.R. Miranda1
- 80 Computer Music Journal Before you can be tted with your Braincap,
- ARTABILITATION ICMC PANEL PAPER DENMARK 2007: NON-FORMAL REHABILITATION VIA IMMERSIVE
- Intl Conf. Disability, Virtual Reality & Assoc. Tech., Esbjerg, Denmark, 2006 2006 ICDVRAT/University of Reading, UK; ISBN 07 049 98 65 3
- Music Knowledge Analysis: Towards an Efficient Representation for Composition
- EV: Multilevel Music Knowledge Representation and Programming
- ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR
- TOWARDS AN INTELLIGENT RHYTHMIC GENERATOR BASED ON GIVEN EXAMPLES: A MEMETIC APPROACH
- Musical Composition by Autonomous Robots: A Case Study with AIBO
- COMPOSITION AS GAME STRATEGY: MAKING MUSIC BY PLAYING BOARD GAMES AGAINST EVOLVED
- A-Life and Musical Composition: A Brief Survey Eduardo R Miranda1
- RETHINKING THE SUPERCOLLIDER CLIENT... Hanns Holger Rutz
- 1 Game of Life music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Eduardo R. Miranda and Alexis Kirke
- CAPTURING THE AESTHETIC: RADIAL MAPPINGS FOR CELLULAR AUTOMATA MUSIC
- At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers,
- Contemporary Music Review, 2003, VOL. 22, No. 2, 91110 Contemporary Music Review
- Interaction and Self-organisation in a Society of Musical Agents Peter Beyls
- Cellular Automata Mapping Procedures Peter Beyls
- Cellular Automata in MIDI based Computer Music Dave Burraston*
- The development of musical styles in a society of software agents
- Evaluating Mappings for Cellular Automata Music Alexis Kirke1
- A Connectionist Architecture for the Evolution Jo~ao M. Martins and Eduardo R. Miranda
- AUTONOMOUS DEVELOPMENT OF SINGING-LIKE INTONATIONS BY INTERACTING BABBLING ROBOTS
- 0.8Copyeditedby:CDP Connection Science
- Empirical Musicology Review Vol. 2, No. 4, 2007 Commentary on David Huron's "On the Role of
- In this paper we present a model of the integration of motor commands with their associated perceived sounds in vocal
- Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-coupled Network of Spiking
- F. Rothlauf et al. (Eds.): EvoWorkshops 2005, LNCS 3449, pp. 539544, 2005. Springer-Verlag Berlin Heidelberg 2005
- A Survey of Computer Systems for Expressive Music Performance ALEXIS KIRKE and EDUARDO RECK MIRANDA
- Agent-Based Guitar Performance Leandro L. Costalonga, Rosa M. Vicari and Evandro M. Miletto
- Octopus Music API: Modelling Musical Performance Leandro Costalonga, Eduardo Miranda, Evandro Miletto
- Towards a Model for Embodied Emotions Eduardo Coutinho, Eduardo R. Miranda and Angelo Cangelosi
- ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER
- Similarity Measures for Rhythmic Sequences Jo~ao M. Martins 1
- Towards an Evolution Model of Expressive Music Performance Qijun Zhang Eduardo Reck Miranda
- Digital Creativity 2005, Vol. 16, No. 2, pp. 7992
- C. Di Chio et al. (Eds.): EvoApplications 2010, Part II, LNCS 6025, pp. 381390, 2010. Springer-Verlag Berlin Heidelberg 2010
- Guardian | Mozart for muggers http://www.guardian.co.uk/print/0,,5397986-110428,00.html 1 of 1 13/2/06 2:48 pm
- HERO -Higher Education & Research Opportunities in the UK: ... http://www.hero.ac.uk/uk/culture___sport/singing_machines.cfm?... 1 of 3 22/2/06 3:48 pm
- 152. RGANG NR 36/DESEMBER 2005
- I N N O V A T I O N Hikers and drivers who use satellite-derived
- Peninsula Arts Contemporary Music Weekend
- Torsten Anders Torsten Anders
- Volume 21 THE COMPUTER MUSIC AND DIGITAL AUDIO SERIES NEW DIGITAL MUSICAL INSTRUMENTS
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- GOLDSMITHS Research Online Article (refereed)
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- Digital Music Research UK Roadmap www.dmrn.org/roadmap Developed by the Digital Music Research Network 1
- Focus On.... Biodiversity and Conservation
- La critique musicale francophone belge dans une perspective internationale Belgian Francophone Music Criticism in International Context
- Research training roadshow Studying Music through
- CeReNeM Journal: Issue Two, Part One Jos Guillermo Puello
- CeReNeM Journal: Issue Two, Part One Luke Styles
- CeReNeM Journal: Issue Two, Part One Pedro Alvarez
- CeReNeM Journal: Issue Two, Part One A private space
- subharmonic subharmonic
- Arno: Constraints Programming in Common Music Torsten Anders
- Strasheela: Design and Usage of a Music Composition Environment Based on the Oz
- HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING
- Programmierparadigmen 31 DerArtikel wird mit anderen Programmierparadigmen (wie
- Shape A Shape B Shape C Shape D Wave Structure
- An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems
- Evolving Musical Performance Profiles Using Genetic Algorithms with Structural Fitness
- School of Music & Sonic Arts Faculty of Arts, Humanities and Social Sciences
- PLYMOUTH BRAIN-COMPUTER MUSIC INTERFACE PROJECT: INTELLIGENT ASSISTIVE TECHNOLOGY FOR MUSIC-MAKING
- GOLDSMITHS Research Online Article (refereed)
- Neural Correlates of Tonality in Music Simon Durrant
- GOLDSMITHS Research Online Article (refereed)
- Commentary: With Shifting Joints Torsten Anders
- GOLDSMITHS Research Online Article (refereed)
- CONSTRAINT-BASED COMPOSITION IN REALTIME Torsten Anders and Eduardo R. Miranda
- On-line Development of Man-Machine Relationships: Motivation-driven Musical Interaction
- Toward Direct Brain-Computer Musical Interfaces Eduardo Miranda
- Musical Interaction Patterns: Communicating Computer Music Knowledge in a Multidisciplinary Project
- An Idiomatic Plucked String Player Leandro L. Costalonga, Eduardo R. Miranda, John Matthias, Rosa M. Vicari
- APPLICATION OF MULTI-AGENT WHALE MODELLING TO AN INTERACTIVE SAXOPHONE AND WHALES DUET
- PRIORITIZING AUDIO FEATURES SELECTION USING ANALYSIS HIERARCHY PROCESS AS A MEAN TO
- COMBINING EEG FRONTAL ASYMMETRY STUDIES WITH AFFECTIVE ALGORITHMIC COMPOSITION AND
- CeReNeM Journal: Issue Two, Part Two Timothy McCormack
- UNCONVENTIONAL COMPUTING FOR MUSIC: SOUND SYNTHESIS WITH SLIME MOULD
- A COMPUTATIONAL MODEL FOR RULE-BASED
- TOWARDS USING EXPRESSIVE PERFORMANCE ALGORITHMS FOR TYPIST EMOTION DETECTION
- CeReNeM Journal: Issue Two, Part Two Marielle Groven
- OPHIDIAN AND THE UNCANNY VALLEY Dr David Bessell
- LIMITS OF CONTROL Hanns Holger Rutz
- CeReNeM Journal: Issue Two, Part Two Richard Haynes
- Institute of Musical Research, School of Advanced Study, University of London, Senate House, Malet Street, London WC1E 7HU Tel: 020 7664 4865
- Corresponding author: Eduardo R. Miranda E-mail: eduardo.miranda@plymouth.ac.uk
- A MUSICAL INSTRUMENT USING IN VITRO NEURAL Eduardo R. Miranda1
- EMERGENT CONSTRUCTION OF MELODIC PITCH AND HIERARCHY THROUGH AGENTS COMMUNICATING
- REPRODUCIBILITY AND RANDOM ACCESS IN SOUND SYNTHESIS Hanns Holger Rutz Eduardo Miranda
- CLOUD CHAMBER: A PERFORMANCE INVOLVING REAL TIME TWO-WAY INTERACTION BETWEEN SUBATOMIC RADIOACTIVE
- CELLULAR AUTOMATA DYNAMIC CONTROL FOR SOUND DESIGN WITH HISTOGRAM MAPPING SYNTHESIS AND THE
- Biological Control of Music Systems
- CeReNeM Journal: Issue Two, Part Two Matteo Cesari
- DEVELOPING METHODS FOR COMPUTER PROGRAMMING BY MUSICAL PERFORMANCE AND COMPOSITION
- University of Bedfordshire Regulations 2011-12 Approved August 2011
- Constraint Application with Higher-Order Programming
- GOLDSMITHS Research Online Article (refereed)
- "CLOUD CHAMBER" A LIVE RADIOACTIVE MUSIC DUET WITH VIOLINIST AND SUBATOMIC PARTICLES
- Institute of Musical Research, School of Advanced Study, University of London, Senate House, Malet Street, London WC1E 7HU
- Torsten Anders 2 Bean eld Cottages
- A-Life for Music: Music and Computer Models of Living Systems
- InstituteofMusicalResearch eventsautumn2011
- Open Outcry An Opera Conceived and Composed by Alexis Kirke
- Open Outcry An Opera Conceived and Composed by Alexis Kirke
- GOLDSMITHS Research Online Article (refereed)
- Chapter 1. Variable Orderings for Solving Musical Constraint Satisfaction Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
- FESTIVAL LAUNCH: 18.00, Crosspoint, Roland
- InstituteofMusicalResearch eventsspring2012
