- Usability Evaluation Considered Harmful (Some of the Time)
- TAPE DRAWING This style of sketching with photographic tape, called "tape
- A THREE-STATE MODEL OF GRAPHICAL INPUT*+1 William A.S. BUXTON
- Buxton, William (2006). Broad Peak and the 1957 Austrian Karakoram Expedition. Canadian Alpine Journal, 89, 176-183.
- A Computer-Controlled Sound Distribution System
- Developing a Taxonomy of Input 4.1 TAXONOMIES OF INPUT
- References 16.1 Haptic Input 29 March, 2011 Buxton
- Buxton, William (2002). Review: Conquistadors of the Useless by Lionel Terray. Explore, May/June, 2002, p. 69.
- Innovative Techniques 10.1 Haptic Input 2 February, 2011 Buxton
- 90 communications of the acm | december 2009 | vol. 52 | no. 12 research highlights
- SUMMARY AND FUTURE RESEARCH
- The Design of a GUI Paradigm based on Tablets, Two-hands, and Transparency
- The Use of Hierarchy and Instance in a Data Structure
- 78 Rotman Magazine Spring/Summer 2006 Point of View:William Buxton
- 46 i n t e r a c t i o n s . . . j a n u a r y + f e b r u a r y 2 0 0 0 CONVERSATIONS
- Buxton, William (2005). Mailbag: Ethnography and Usability: Where's the Glue. Interactions Magazine. 12(5), September + October, 8 -9.
- An Introduction SSSPDigital Synthesizer
- Buxton: Performance by Design 1 fo r 2003CiAppears in: Proceedings of the Second
- Human Performance 8.1 Haptic Input 14 September, 2009 Buxton
- Interface, Vol. 6 (1977), pp. S7-72. A Composer's Introduction to Computer Music.
- Tracking Menus George Fitzmaurice, Azam Khan, Robert Piek, Bill Buxton, Gordon Kurtenbach
- Future and Emerging Potential 15.1 Chapter 15
- 3D Input 12.1 Incomplete: This chapter deals with input in 3D. There is some overlap -yet to be resolved -
- CHI@6 APRIt. 13-Za, ~996 The Influence of Muscle Groups on Performance of Multiple
- Boom Chameleon: Simultaneous capture of 3D viewpoint, voice and gesture annotations on a spatially-aware display
- Getting the Right Design and the Design Right: Testing Many Is Better Than One
- Copyright 2007 by the Association for Computing Machinery, Inc. Permission to make digital or hard copies of part or all of this work for personal or
- When It Gets More Difficult, Use Both Hands Exploring Bimanual Curve Manipulation
- W. Buxton, W. Reeves, G. Fedorkow, K. C. Smith,
- Bill Buxton From about 1990-1994 I directed something called the Ontario Telepresence
- Citation: Buxton, W. (2008). My Vision Isn't My Vision: Making a Career Out of Getting Back to Where I Started. In Thomas Erickson & David
- 1994 Price Waterhouse 1.4 HUMAN INPUT/OUTPUT DEVICES Buxton, W. (1994). Human input/output devices. In M. Katz (ed.),
- Mediaspace Meaningspace Meetingspace1 Bill Buxton
- C H I ' 85 P R O C E E D I N G S APRIL 1985 A MULTI-TOUCH THREE DIMENSIONAL TOUCH-SENSITIVE TABLET
- An abridged version of this article appears is: Buxton, W. (2001). Less is More (More or Less), in P. Denning (Ed.), The Invisible Future: The seamless integration of technology in
- Buxton, William (2006). Who cares if you are dressed if you are alone? Interfaces, 66, Spring 2006, 5-6.
- : / 10 i n t e r a c t i o n s / n o v e m b e r + d e c e m b e r 2 0 0 5 I I I I I I I I I I I I I I I I I I I I I I I I I I I I I
- Published by the IEEE Computer Society 0272-1716/05/$20.00 2005 IEEE IEEE Computer Graphics and Applications 81 The world is enamored with the number
- Introduction 1.1 Haptic Input 26 November, 2010 Buxton
- 24 2008 IEEE International Solid-State Circuits Conference ISSCC 2008 / SESSION 1 / PLENARY / 1.2
- ThinSight: Versatile Multi-touch Sensing for Thin Form-factor Displays
- Buxton, William (2004). Music Sharing Over the Internet. Canadian New Media, 7(11), 8,7.
- W.Buxton,S. Patel,W.Reeves,and Structured Sound Synthesis Project (SSSP)
- Media Spaces: Past Visions, Current Realities, Future Promise
- Manual Deskterity: An Exploration of Simultaneous Pen + Touch Direct Input
- Chord Keyboards 6.1 Haptic Input 22 September, 2009 Buxton
- It has been two and a half years since I resigned my position as chief scientist of Alias|Wavefront (now
- 52 November 2003 QUEUE rants: feedback@acmqueue.com GEORGE W. FITZMAURICE, ALIAS
- 38.2 / K. Hinckley / 537 Society for Information Display (SID) Symposium Digest of Technical Papers, May 2010, Volume 41(1), Session 38, 537-540.
- Music Synthesis by Simulation using a General-Purpose Signal Processing System
- The Evolution of the SSSP Score Editing Tools
- W.Buxton, S. Patel, W.Reeves, and Structured Sound Synthesis Project
- Rotman MagazineWinter 2005 47 Point of View: Bill Buxton
- Human skills in interface design1 William A. S. Buxton
- TOWARDS A COMPREHENSIVE USER INTERFACE MANAGEMENT SYSTEM
- Dallas, August 18-22 Volume 20, Number 4, 1986 Creating Highly-Interactive and Graphical User Interfaces
- Volume 13, (1994) number 5 pp. 305-314 Contextual Animation of Gestural Commands
- From First Sight to Summit: A Guide to the Literature on Everest up
- Buxton, William (2004). Review: Where the Mountain Casts its Shadow by Maria Coffey. Canadian Alpine Journal, 87, p. 148.
- Buxton, W. (2003). Review: Dougal Haston: The Philosophy of Risk by Jeff Connor. The Canadian Alpine Journal, 86, 167-168.
- Boukreev, A. (2001). Above the Clouds: The Diaries of a High-Altitude Mountaineer. New York: St. Martins Press. Collected and
- ITS 2010: Context 1 November 7-10, 2010, Saarbrucken, Germany VisTACO: Visualizing Tabletop Collaboration
- Three's Company: Understanding Communication Channels in Three-way Distributed Collaboration
- Early Video Mail1 Bill Buxton
- Buxton, W. (2006). Space-Function Integration and Ubiquitous Media. In M. Shamiyeh (Ed.). Towards and Interactive and Integrative Design Process. Linz, Austria: DOM
- s information technology becomes increasingly widespread, we are con-
- ~ (H1'92 May3-7, 1992 REALIZING A VIDEO ENVIRONMENT
- Videoconferencing enables people to attend and participate in meetings from remote locations. The
- Experiences in the Use of a Media Space Marilyn M. Mantei, Ronald M. Baecker, Abigail J. Sellen,
- Boston,MassachusettsUSA* April24-28,1994 HumanFactorsinComputigSystems
- Creating Principal 3D Curves with Digital Tape Drawing Tovi Grossman1,2
- The Use of Non-Speech Audio at the Interface
- NONSPEECH AUDIO AN INTRODUCTION
- Introduction Although scientific data representation has led the way in studies of non-speech audio interfaces, the use
- AUDITORY ICONS Introduction
- PRACTICALITIES OF NONSPEECH AUDIO
- Coherent databases: those which have an inherent continuity on some field or fields. These include visual databases like medical scans or staellite imagery. Non-coherent databases have no
- Input Devices: An Illustrated Tour 2.1 Haptic Input 21 March, 2011 Buxton
- Alternative Perspectives 3.1 Haptic Input 14 September, 2009 Buxton
- Models and Theories 7.1 Haptic Input 10 February, 2011 Buxton
- Representative 2D Tasks 9.1 SOME REPRESENTATIVE
- Two-Handed Input 11.1 Haptic Input 22 August, 2008 Buxton
- Gesture Based Interaction 14.1 Haptic Input 27 May, 2009 Buxton
- Introduction Traditional approaches to acoustics and psychoacoustics have provided a number of
- Marking Interfaces 13.1 Haptic Input 13 June, 2011 Buxton
- 31.1 / B. Buxton / 444 Society for Information Display (SID) Symposium Digest of Technical Papers, May 2010, Volume 41(1), Session 31, 444-448.
- Interaction at Lincoln Laboratory in the 1960's: Looking Forward Looking Back
- ACOUSTICS AND PSYCHOACOUSTICS
- Buxton, Gaver & Bly -11.1 -Bibliography REFERENCES AND
- User Sketches: A Quick, Inexpensive, and Effective way to Elicit More Reflective User Feedback
- Review: Parsons, Mike & Rose, Mary (2006). Mallory Myths and Mysteries: The Mallory Clothing Replica Project. Pennrith: Mountain Heritage Trust. Canadian Alpine Journal, 2007, Volume 90, p. 164.
- Interaction Techniques for 3D Modeling on Large Displays Tovi Grossman
- AURALIZATION: Representing Data as
- THE MISSIONS OF BOGLE AND TURNER ACCORDING TO THE TIBETAN TEXTS
- Glimpse: a Novel Input Model for Multi-level Devices Clifton Forlines, Chia Shen
- CHUNKING AND PHRASING AND THE DESIGN OF HUMAN-COMPUTER DIALOGUES1
